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From a visual standpoint, you take the script and you identify, like, 10 great moments in the movie and then you take a brilliant artist, like Ryan, and you say, "Here's what we're looking for from this moment."
Being a person in the 1940s and coming forward into 2012 and sort of living in that period of time and being a fish-out-of-water and then sort of acclimating very quickly and becoming this very stealth-orientated, extreme tactical ops person is a crazy change.
One of the amazing things about being able to work on a character through multiple movies is that you actually get to tell the story of the character through the costume.